(1818-1875) was a Danish painter. He studied at the Royal Danish Academy of Fine Arts and was a private student of Christoffer Wilhelm Eckersberg. He achieved international success as a marine artist, travelling widely especially to Morocco and Turkey. His paintings are realistic, often enhanced with dramatic light and weather effects as in Eddystone Lighthouse (1846) which earned him the Thorvaldsen Medal. He was also influenced by Camille Corot whom he met in Paris where he lived from 1847 to 1858. While in Paris he met Napoleon III who ordered a large painting from him.  Related Paintings of Anton Melbye :. | christian bindslev er syg | A Merry Company Making Music | Klosterruine Eldena und Riesengebirge | Hyenan dodar often an Leo and able with forvanansvard speed consume sits loot | Spots of Sunlight on the Terrace |
Related Artists:
CARLEVARIS, Luca
Italian Baroque Era Painter, ca.1665-1731
Edwin Blashfield
(December 5, 1848 - October 12, 1936), an American artist, was born in New York City. He was a pupil of Leon Joseph Florentin Bonnat in Paris beginning in 1867, and became (1888) a member of the National Academy of Design in New York. For some years a genre painter, he later turned to decorative work, where his academic background in painting and extensive travels to study fresco painting in Italy melded in work marked by rare delicacy and beauty of coloring. Considered a leading muralist of the late 19th century, he painted mural decorations or created mosaics in a number of places associated with the American Renaissance period. His style is cited as an influence of Pierre Puvis de Chavannes, Jean-Paul Laurens, and Paul Baudr. With his wife he wrote Italian Cities (1900) and edited Vasari's Lives of the Painters (1896), and was well known as a lecturer and writer on art. He became president of the Society of Mural Painters, and of the Society of American Artists.
Mario Dei Fiori
Italian painter , Penna Fermana 1603- Rome 1673 Italian painter. He was the first and most famous Roman painter to specialize in flower-pieces and one of only four still-life artists included by Leone Pascoli in his collection of artists' biographies. The early sources and old inventories attribute many flower paintings in distinguished Roman collections to the Caravaggesque painter Tommaso Salini, and since the 18th century Mario's name has been linked with his, and it has been assumed that he trained with Salini. This apprenticeship is difficult to document, yet a comparison of Mario's pictures with inventory descriptions of works by Salini confirms that Mario was influenced by his art. To the minute observation of various kinds of flowers, Mario added a refined sense of design and an interest in effects of light, still linked to Caravaggio in the use of a dark background.